Steven Young Lee, Red Panel, 2013, porcelain, cobalt inlay, glass and aluminum at the Renwick Gallery
Actually, the Red and Blue panels form one composition, although at the Renwick they are displayed at opposite ends of the same wall and I've even seen online where these panels have been accompanied by another panel of white cups in at least one other exhibition. Not sure if there's some subtle political point being made. But, in any case, the cups are as interesting when seen individually as when they're are seen together. Could that be the message, I wonder?